The book as a genre phenomenon in modern prose of the Russian abroad (“Venice. Quarantine Chronicles” by E. Margolis)
https://doi.org/10.26907/2782-4756-2024-76-2-238-247
Abstract
The article studies the book as a special type of artistic unity, representing an original model for expressing artistic consciousness in modern Russian literature abroad. The article proves the productivity of this genre phenomenon, identifies the main trends in book creation associated with an appeal to the sacral text, with the actualization of the autobiographical, diary and memoir prose traditions. The representative sample is analyzed on the basis of the modern literary scholarship provisions, which conceptualize the book as an original genre phenomenon. Using the example of E. Margolis’ book “Venice. Quarantine Chronicles” (2020), we analyze the mechanisms of constructing the artistic world, organically embodied in book format. The article reveals the nature of the artistic integrity of the book, conditioned by the interaction of verbal and visual components, the motif complex associated with the Christian tradition (which includes motifs of insight, internal movement, silence and healing of the soul), and reveals the features of the palimpsest, which serves as the principle of genre modeling. The conceptual and formal anchor in the book is the image of Venice, which connects everyday and metaphysical, visible and invisible aspects. The article proves that the book represents a form of the world harmonization and a space for a dialogue between different cultural codes at whose junction the author’s hybrid identity is formed.
About the Authors
N. ShlemovaRussian Federation
Shlemova Natalia Nikolaevna, Ph.D. in Philology
76 Lenin Ave., Chelyabinsk, 454080
E. Ponomareva
Russian Federation
Ponomareva Elena Vladimirovna, Doctor of Philology, Professor
4 Semenovskaya Sq., Moscow, 105318
References
1. Rubins, M. (2021). Nevynosimaya legkost' diasporicheskogo bytiya. Modal'nosti pis'ma i chteniia eksterritorial'nykh narrativov [The Unbearable Lightness of Being a Diasporian: Modes of Writing and Reading Narratives of Displacement]. Vek diaspory: Traektorii zarubezhnoi russkoi literatury (1920–2020): sbornik statei. Pod red. M. Rubins; per. s angl. A. Stepanova, N. Makhlaiuka. E. Gudvin. 336 p. Moscow, Novoe literaturnoe obozrenie. (In Russian)
2. Mineeva, I. N. (2015). Literatura russkoi emigratsii na rubezhe XX–XXI vv.: predvaritel'nye itogi izucheniya [Literature of Russian Emigration at the Turn of the 20 th –21 st Centuries: Preliminary Results of the Study]. Lingvoritoricheskaya paradigma: teoreticheskie i prikladnye aspekty. No. 20, pp. 29–36. (In Russian)
3. Lederman, N. L. (2009). Teoriya zhanra: Nauchnoe izdanie [Theory of Genre: A Scientific Publication]. 904 p. Ekaterinburg. (In Russian)
4. Lederman, N. L. (2006). Problema zhanra v modernizme i avangarde (Ispytanie zhanra ili ispytanie zhanrom?) [The Problem of Genre in Modernism and the Avant-garde]. Russkaya literatura XX–XXI vekov: napravleniya i techeniya. Issue 9, pp. 3–33. Ekaterinburg. (In Russian)
5. Fomenko, I. V. (1992). Liricheskii tsikl: stanovlenie zhanra, poetika [Lyrical Cycle: The Formation of the Genre, Poetics]. 157 p. Tver'. (In Russian)
6. Kuznetsova, I. S. (2011). Debyutnaya kniga v russkoi lirike 1840-kh–nachala 1850kh gg.: motivno-obraznye i zhanrovye kompleksy, formy tsiklizatsii, arkhitektonicheskie varianty: avtoref. dis. … kand. filol. nauk [A Debut Book in Russian Lyric Poetry of the 1840s–Early 1850s: Motif-Figurative and Genre Complexes, Forms of Cyclization, Architectonic Options: Ph.D. Thesis Abstract]. Omsk, 23 p. (In Russian)
7. Miroshnikova, O. V. (2008). Liricheskaya kniga kak ustoichivaya mnogokomponentnaya struktura. Problemy izucheniya knigi stikhov v sovremennoi filologii [A Lyric Book as a Stable Multicomponent Structure. Problems of Studying Books of Poetry in Modern Philology]. Liricheskaya kniga v sovremennoi nauchnoi retseptsii. Pp. 5–15. Omsk. (In Russian)
8. Matich, O. (2017). Zapiski russkoi amerikanki. Semeinye khroniki i sluchainye vstrechi [Notes of a Russian American. Family Chronicles and Chance Encounters]. 750 p. Moscow, Novoe literaturnoe obozrenie. (In Russian)
9. Margolis, E. (2020). “U nas bylo lozhnoe oshchushchenie zashchishchennosti”. Ekaterina Margolis – o karantine v Venetsii [“We Were Lulled into a False Sense of Security”. Ekaterina Margolis – about Quarantine in Venice]. Afisha Daily, 20 oktyabrya. URL: https://daily.afisha.ru/brain/17476-u-nas-bylo-lozhnoe-oschuschenie-zaschischennosti-ekaterina-margolis-o-karantine-v-venecii/ (accessed: 01.03.2022). (In Russian)
10. Epshtein, M. N. (1987). Khronika [A Chronicle]. Literaturnyi entsiklopedicheskii slovar'. Moscow, Sovetskaya entsiklopediya. URL: https://literary_encyclopedia.academic.ru/7138/ХРОНИКА (accessed: 03.02.2024). (In Russian)
11. Margolis, E. (2020). Venetsiya. Karantinnye khroniki [Venice. Quarantine Chronicles]. 304 p. Moscow, izdatel'stvo AST, Redaktsiya Eleny Shubinoi. (In Russian)
12. Yakovleva, N. A. (2005). Analiz i interpretatsiya proizvedenii iskusstva: uchebnoe posobie [Analysis and Interpretation of Works of Art: A Textbook]. N. A. Yakovleva, E. B. Mozgovaya, T. P. Chagovets i dr. 551 p. Moscow, Vysshaya shkola. (In Russian)
13. Shkuropat, M. Yu. (2007). Ikonichnost' kak ponyatie teorii literatury [Iconicity as a Concept in Literary Theory]. Literaturovedcheskii sbornik. Issue 31–32, pp. 23–34. (In Russian)
14. Mednis, N. E. (1999). Venetsianskii tekst russkoi literatury [Venetian Text of Russian Literature]. URL: http://rassvet.websib.ru/text.htm?no=35&id=9 (accessed: 04.03.2024). (In Russian)
15. Lavlinskii, S. P. (2005). O dvukh strategiyakh khudozhestvennoi reprezentatsii zrimosti [On Two Strategies for Artistic Representation of Visibility]. Diskursivnost' i khudozhestvennost'. Pp. 60–70. Moscow, izdatel'stvo Ippolitova. (In Russian)
16. Kryukova, E. V. (2020). Iz istorii kontseptsii literaturnogo palimpsesta: teoriya “Belogo znaniya” i “B-prostranstva” u Terri Pratchetta [From the History of the Concept of Literary Palimpsest: The Theory of “White Knowledge” and “B-Space” by Terry Pratchett]. Novyi filologicheskii vestnik. No.2 (53), pp. 48–56. (In Russian)
Review
For citations:
Shlemova N., Ponomareva E. The book as a genre phenomenon in modern prose of the Russian abroad (“Venice. Quarantine Chronicles” by E. Margolis). Philology and Culture. 2024;(2):238-247. (In Russ.) https://doi.org/10.26907/2782-4756-2024-76-2-238-247