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Ideological and artistic originality of r. kharis’s dramatic poem “Idegey”

https://doi.org/10.26907/2074-0239-2021-64-2-207-213

Abstract

   The article systematizes the material on the extent of research into the dramatic poem genre in Russian literary studies as well as the genre of a poem in Tatar literary studies, and the extent of research into R. Kharis’s dramatic poem “Idegey”.

   The novelty of this study lies in the fact that the article contains information from the history of the creation of this work, and identifies its main genre characteristics.

   The poem is relatively short, and only the culminating events from the life of the characters are put to the fore. The author does not strive to achieve any logical sequence in the presentation of the plot. The article proves that the Tatar poet reinterpreted the folklore plot, which affected the concept of the leading images – Idegey and Nuradyn. The main characters act as carriers of a particular idea. R. Kharis makes the antithesis the basis of the composition. The folklore principle manifests itself both at the level of content and at the level of poetics. The essence of characters is revealed through emotional monologues.

About the Author

M. Khabutdinovа
Kazan Federal University
Russian Federation

Milyausha Mukhametsyanovna Khabutdinovа, Ph.D. in Philology, Associate Professor

420008

18 Kremlyovskaya Str.

Kazan



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Review

For citations:


Khabutdinovа M. Ideological and artistic originality of r. kharis’s dramatic poem “Idegey”. Philology and Culture. 2021;(2):207-213. (In Russ.) https://doi.org/10.26907/2074-0239-2021-64-2-207-213

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