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| Issue |
Title |
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| No 4 (2025) |
Folk and romantic traditions in Sh. Galim’s play “The Gold Bracelet” |
Abstract
PDF (Rus)
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A. M. Zakirzyanov, F. Gabidullina, T. Gilazov |
| |
| No 4 (2025) |
Wedding songs as part of the Siberian Tatars’ ritual culture |
Abstract
PDF (Rus)
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I. Zakirova, I. Fazlutdinov |
| |
| No 4 (2025) |
Genre and style originality of L. Gibadullina’s novel “Әлиф ләм мим” (“Alif lam mim”) |
Abstract
PDF (Rus)
|
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R. Zamaletdinov, M. Khabutdinova |
| |
| No 4 (2025) |
Modern Tatar battle prose |
Abstract
PDF (Rus)
|
|
G. Kayumova, M. Khabutdinova |
| |
| No 4 (2025) |
Ways of representing the national world in contemporary Mari and Tatar poetry |
Abstract
PDF (Rus)
|
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R. Kudryavtseva, N. Yusupova, A. Yusupov |
| |
| No 4 (2025) |
The concept of happiness in A. Tolstaya’s novel “The Restless Heart” |
Abstract
PDF (Rus)
|
|
K. Kurdakova |
| |
| No 4 (2025) |
Mythological and folklore characters and motifs in Tatar and Chuvash fairy tale plays for children: A comparative analysis |
Abstract
PDF (Rus)
|
|
L. Mingazova, E. Perepelkina, G. Nureeva |
| |
| No 4 (2025) |
The theme of family and historical memory in Ravilya Shaydullina-Murat’s novel “Kart shomyrt khatirәse” (“The Monologue of an Old Bird Cherry Tree”) |
Abstract
PDF (Rus)
|
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L. Mingazova, F. Sayfulina, F. Galimullin |
| |
| No 4 (2025) |
The poem “The Northern Star” by A. Hill and the development of the Petrine myth in English literature of the 1700s-1720s |
Abstract
PDF (Rus)
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O. Polyakov |
| |
| No 4 (2025) |
Sociocultural problems of Russian poetry in the digital era |
Abstract
PDF (Eng)
|
|
A. Skvortsov |
| |
| No 4 (2025) |
Possible parallels between Mandelstam’s “Silentium” and Paul Verlaine’s “Art poétique”: the experience of translation reception |
Abstract
PDF (Rus)
|
|
Yu. Agaltsova |
| |
| No 4 (2025) |
The synthesis of fiction and non-fiction in the literary and critical treatise “Reflections on the Difference between Highflown, Grandiloquent, Stately, Loud and Pompous Styles” by M. Muravyov |
Abstract
PDF (Rus)
|
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T. Slepukhina, A. Pashkurov |
| |
| No 4 (2025) |
Beyond ethnic existence. The Erzya poet Alexander Arapov’s artistic world |
Abstract
PDF (Rus)
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A. Arzamazov, F. Sayfulina |
| |
| No 4 (2025) |
Poetics of ethnically colored titles in the stories by Anton Chekhov |
Abstract
PDF (Rus)
|
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Yu. Khabirova, I. Yunusov |
| |
| No 4 (2025) |
Autobiographical episodes from the life of a Kazan journalist in the early 20th century in V. Yazvitsky’s novel “From the Book of Genesis” (1916) |
Abstract
PDF (Rus)
|
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A. Bik-Bulatov |
| |
| No 4 (2025) |
The role of folklore and literary traditions in modern film texts in the Republic of Tatarstan |
Abstract
PDF (Rus)
|
|
M. Khabutdinova, A. Mashakova |
| |
| No 4 (2025) |
The theme of violence in Marina Stepanova’s novel “The Women of Lazarus” |
Abstract
PDF (Rus)
|
|
T. Breeva |
| |
| No 4 (2025) |
Ideological and artistic originality of the novel “Sweet Treat from Germany” by Sagidulla Khafizov |
Abstract
PDF (Rus)
|
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A. Khaliullina, F. Sayfulina |
| |
| No 4 (2025) |
Alexander Artemiev’s novel “Salambi” in the mirror of Turkish criticism and literary studies |
Abstract
PDF (Rus)
|
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G. Gainullina, A. Garaeva |
| |
| No 4 (2025) |
Adaptation of a historical plot in the space of a puppet theater |
Abstract
PDF (Rus)
|
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T. Shvetsova, V. Shakhova |
| |
| No 4 (2025) |
Representation of the Yemelyan Pugachev image in Viktor Bagrov’s poem “Yemelyan Pugachev”: Revisiting the problem |
Abstract
PDF (Rus)
|
|
O. Zhurcheva |
| |
| No 4 (2025) |
Mythological stories in Tatar poetry in the second half of the 20th century: Features of transformation and functioning |
Abstract
PDF (Rus)
|
|
N. Yusupova, M. Gilmanova |
| |
| No 3 (2025) |
Blurred lines between non-fiction and fiction in contemporary prose about the Great Patriotic War |
Abstract
PDF (Rus)
|
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G. M. Altynbaeva |
| |
| No 3 (2025) |
African realities in Hilary Mantel’s novel “A Change of Climate” |
Abstract
PDF (Rus)
|
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N. V. Romanova |
| |
| No 3 (2025) |
Features of Victorian fiction in the biography of a Victorian character: The motif of the “animated portrait” |
Abstract
PDF (Rus)
|
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K. F. Ayupova |
| |
| No 3 (2025) |
Mythopoetics in Evgeny Vodolazkin’s prose: The novels “Solovyov and Larionov” and “Justification of the Island” |
Abstract
PDF (Rus)
|
|
A. O. Salakhova |
| |
| No 3 (2025) |
Yu. N. Voronov’s travel essay “Six Months in Colombia”: Creative history, ideological context, and poetics of genre |
Abstract
PDF (Rus)
|
|
R. F. Bekmetov |
| |
| No 3 (2025) |
Virginia Woolf on her contemporaries and predecessors: The dynamics of the creative process according to the writer’s diaries |
Abstract
PDF (Rus)
|
|
T. L. Selitrina |
| |
| No 3 (2025) |
W. S. Maugham’s “Don Fernando” – reflections on culture and creativity under the cover of his travel essays |
Abstract
PDF (Rus)
|
|
N. M. Bulashova |
| |
| No 3 (2025) |
The novel “Return to Panjrud” by A. Volos in the perception of literary criticism |
Abstract
PDF (Rus)
|
|
M. Sotoudehfadafan, A. E. Skvortsov |
| |
| No 3 (2025) |
The OZM concept in the spatial and topological structure of Vladislav Krapivin’s cycle “Tales and True Stories of Deserted Spaces” |
Abstract
PDF (Rus)
|
|
G. Wang |
| |
| No 3 (2025) |
The evolution of E. Zamyatin’s ideological complex: From the story “The Islanders” to the play “The Society of Honorary Bell Ringers” |
Abstract
PDF (Rus)
|
|
Yongshi Tang |
| |
| No 3 (2025) |
The image of a female doctor in memoirs by Jennifer Worth |
Abstract
PDF (Rus)
|
|
A. Kh. Vafina |
| |
| No 3 (2025) |
The image of Kazan University in Tatar poetry |
Abstract
PDF (Rus)
|
|
M. M. Khabutdinova, A. R. Motigullina |
| |
| No 3 (2025) |
Images of the Silver Age poets in Don Nigro’s drama works |
Abstract
PDF (Rus)
|
|
M. R. Galimova |
| |
| No 3 (2025) |
The other in “The Balkan Trilogy” by Olivia Manning |
Abstract
PDF (Rus)
|
|
T. M. Khatskevich |
| |
| No 3 (2025) |
The role of literary allusions in Hélène Berr’s journal |
Abstract
|
|
D. V. Demianenkova |
| |
| No 3 (2025) |
“The space of limit” in war fiction |
Abstract
PDF (Rus)
|
|
E. M. Chetina |
| |
| No 3 (2025) |
The synthesis of documentary and fictional elements in E. Limonov’s novel “In Syry: A novel in the industrial zone” |
Abstract
PDF (Rus)
|
|
R. N. Zagertdinov |
| |
| No 3 (2025) |
Jesmyn Ward’s novel “Salvage the Bones” as an example of “hurricane alley narrative” |
Abstract
PDF (Rus)
|
|
I. V. Shchepacheva |
| |
| No 3 (2025) |
Archetypal components’ analysis of fairy-tale images (plot ATU 480 B “Vasilisa the Beautiful”) |
Abstract
PDF (Rus)
|
|
I. V. Zaitseva |
| |
| No 3 (2025) |
The Turkish world in Russian literature of the 19th century |
Abstract
PDF (Rus)
|
|
K. Unal, I. Sh. Yunusov, F. V. Yunusova |
| |
| No 3 (2025) |
From idea to text: On some creation stages of E. Chirikov’s tetralogy “The Life of Tarkhanov” |
Abstract
PDF (Rus)
|
|
G. Yu. Karpenko, I. M. Perepelkin |
| |
| No 3 (2025) |
Experience of creating an alternative history in A. Sobolev’s novel “Griffins Guard the Lyre” |
Abstract
PDF (Rus)
|
|
P. D. Kvetkin |
| |
| No 3 (2025) |
Interaction of non-fiction and fiction in the book series “The Lives of Remarkable People” |
Abstract
PDF (Rus)
|
|
N. N. Koznova |
| |
| No 3 (2025) |
The image of China in “A Voyage around the World on the Ship Neva” |
Abstract
PDF (Rus)
|
|
Qianning Liu |
| |
| No 3 (2025) |
On the influence of O. Chukhontsev’s work on contemporary Russian poetry |
Abstract
PDF (Rus)
|
|
P. S. Mezentseva, A. E. Skvortsov |
| |
| No 3 (2025) |
Interpretation features of Scheherazade’s tales in B. Beaulieu and D. Mermoux’s graphic novel “A Thousand and One Lives in the Emergency” |
Abstract
PDF (Rus)
|
|
I. G. Prudius |
| |
| No 2 (2025) |
Performative potential of social theatre: The latest Russian dramaturgy on the problems of inclusion |
Abstract
PDF (Rus)
|
|
O. V. Zhurcheva |
| |
| No 2 (2025) |
Traditions of “the Kailyard school” in Rosamunde Pilcher’s novels |
Abstract
PDF (Rus)
|
|
Z. R. Zinnatullina |
| |
| No 2 (2025) |
“Notes (1881 – 1916)” by B. A. Sadovsky as an ego-document |
Abstract
PDF (Rus)
|
|
N. N. Kislova |
| |
| No 2 (2025) |
Integration of nonfiction elements into fiction: Analyzing postcolonial and industrial motifs in Rebecca F. Kuang’s novel “Yellowface” |
Abstract
PDF (Rus)
|
|
K. V. Korobko |
| |
| No 2 (2025) |
The ideas of democracy in E. M. Forster’s journalism (based on “Two Cheers for Democracy”) |
Abstract
PDF (Rus)
|
|
R. S. Lazutin |
| |
| No 2 (2025) |
Arkady Konchevsky’s Crimean short stories |
Abstract
PDF (Rus)
|
|
A. E. Lobkov |
| |
| No 2 (2025) |
Deconstruction of the historical/historiosophical novel genre strategies in the work of Vladimir Sharov |
Abstract
PDF (Rus)
|
|
Z. E. Miftakhova |
| |
| No 2 (2025) |
Children learning about Leo Tolstoy: Narrative strategies |
Abstract
PDF (Rus)
|
|
L. Kh. Nasrutdinova, N. G. Makhinina |
| |
| No 2 (2025) |
The mafia image in American literary nonfiction of the second half of the 20th and the beginning of the 21st centuries |
Abstract
PDF (Rus)
|
|
O. O. Nesmelova, Zh. G. Konovalova |
| |
| No 2 (2025) |
Synthesis of documentary and fictional principles in Russian Enlightenment Realism |
Abstract
PDF (Rus)
|
|
A. N. Pashkurov |
| |
| No 2 (2025) |
Kazan in Aleksey Tolstoy’s biography and works: Between fact and fiction |
Abstract
PDF (Rus)
|
|
M. A. Perepelkin |
| |
| No 2 (2025) |
Composition as a means of creating a documentary element in the novel “Finches in Armor” by G. Venus |
Abstract
PDF (Rus)
|
|
T. O. Pirogova |
| |
| No 2 (2025) |
Features of impressionism in V. M. Garshin’s prose |
Abstract
PDF (Rus)
|
|
K. K. Sizova |
| |
| No 2 (2025) |
The historical component in A. Thorpe’s novel “The Rules of Perspective” |
Abstract
PDF (Rus)
|
|
L. F. Khabibullina |
| |
| No 2 (2025) |
“Speak, Memory” and “Look at the Harlequins!”: Fictional, non-fictional and burlesque discourse in Vladimir Nabokov’s memoir novels |
Abstract
PDF (Rus)
|
|
T. N. Belova |
| |
| No 2 (2025) |
War diaries of Tatar writers: The path to the reader through censorship |
Abstract
PDF (Rus)
|
|
A. Yu. Khabutdinov, M. M. Khabutdinova |
| |
| No 2 (2025) |
Conceptualization of historical narrative in modern Russian prose |
Abstract
PDF (Rus)
|
|
T. N. Breeva |
| |
| No 2 (2025) |
Main stages of Russian classical literature translations into the Turkish language |
Abstract
PDF (Rus)
|
|
Sheima Kara, I. Sh. Yunusov |
| |
| No 1 (2025) |
“Thirty years of confusion”: the correspondence between Stephen Mckenna and Stephen Mckenna on the occasion of his visit to Leo Tolstoy |
Abstract
PDF (Rus)
|
|
M. F. Astashenkova |
| |
| No 1 (2025) |
Pushkin’s trace in the myth of Joseph Brodsky |
Abstract
PDF (Rus)
|
|
I. A. Balandina |
| |
| No 1 (2025) |
Igor Melamed’s poetic principle of indirect expression |
Abstract
PDF (Rus)
|
|
R. B. Berestnev, A. E. Skvortsov |
| |
| No 1 (2025) |
The image of Beijing in travelogues of Russian literature in the 1920s: A gender aspect. |
Abstract
PDF (Rus)
|
|
X. Zhu |
| |
| No 1 (2025) |
Semantic inversion of biblical mythologemes in Leonid Andreev’s novel “The Diary of Satan” |
Abstract
PDF (Rus)
|
|
E. A. Rad' |
| |
| No 4 (2024) |
Index retardation as the basis of an epic play (a case study of A. Ostrovsky’s dramaturgy) |
Abstract
PDF (Rus)
|
|
A. I. Lebedeva |
| |
| No 4 (2024) |
Horror motifs in E. Verkin’s novel “Snark Snark” |
Abstract
PDF (Rus)
|
|
D. L. Kulikova |
| |
| No 4 (2024) |
Formation of national cultural myths about Europe in “Letters of a Russian Traveler” by N. Karamzin |
Abstract
PDF (Rus)
|
|
E. E. Prikazchikova |
| |
| No 4 (2024) |
Bastien Loukia’s “Crime and Punishment” as an example of a graphic novel adaptation |
Abstract
PDF (Rus)
|
|
I. G. Prudius |
| |
| No 4 (2024) |
Russian ideas. Discursive organisation of Vladimir Sharov’s novel “Return to Egypt” |
Abstract
PDF (Rus)
|
|
M. P. Abasheva, O. A. Kiose |
| |
| No 4 (2024) |
Method of “detachment” in Leo Tolstoy’s trilogy “Detstvo”, “Otrochestvo”, “Yunost” |
Abstract
PDF (Rus)
|
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A. M. Sayapova |
| |
| No 4 (2024) |
Ekphrasis as a stylistic means of creating an image in biography (based on the biographies of Georgiana, Duchess of Devonshire) |
Abstract
PDF (Rus)
|
|
K. F. Ayupova |
| |
| No 4 (2024) |
Reception of Henry James’s novel “The Wings of the Dove” in a foreign-language environment |
Abstract
PDF (Rus)
|
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T. L. Selitrina |
| |
| No 4 (2024) |
Memoirs of a researcher as a literary fact (based on V. Ivanov’s memoirs about the East) |
Abstract
PDF (Rus)
|
|
R. F. Bekmetov |
| |
| No 4 (2024) |
I.A. Mukhamatgaliev’s contribution to the development of modern Tatar children’s drama |
Abstract
PDF (Rus)
|
|
M. M. Khabutdinova, R. S. Nurmukhametova, R. I. Latypov |
| |
| No 4 (2024) |
Authorial communicative strategy in female English-language literary nonfiction discourse |
Abstract
PDF (Rus)
|
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A. H. Vafina, Zh. G. Konovalova |
| |
| No 4 (2024) |
Pronounal metamorphoses in “The Man Who Would Be King” by R.J. Dio |
Abstract
PDF (Rus)
|
|
A. L. Khokhryakov |
| |
| No 4 (2024) |
Mythopoetic chronotope of Rudolfo Anaya’s short novel “The Village the Gods Painted Yellow” in the paradigm of magical realism |
Abstract
PDF (Rus)
|
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T. V. Voronchenko, E. V. Fyodorova, Yu. M. Kruglova |
| |
| No 4 (2024) |
The role of translation in the study of Confucianism: Works of scholars from the institute of China and modern Asia of the Russian Academy of Sciences |
Abstract
PDF (Rus)
|
|
W. Chang, T. G. Bochina |
| |
| No 4 (2024) |
Text and intertext in Shakespeare plays by Don Nigro |
Abstract
PDF (Rus)
|
|
M. Galimova |
| |
| No 4 (2024) |
Representation of the human body in Gabdulla Tukay’s poetry |
Abstract
PDF (Rus)
|
|
T. Sh. Gilazov |
| |
| No 4 (2024) |
Language play in British animalistics in the second half of the 20th century |
Abstract
PDF (Rus)
|
|
E. V. Zueva |
| |
| No 4 (2024) |
The winter path and the winter dream by Pushkin and Leo Tolstoy |
Abstract
PDF (Rus)
|
|
A. I. Ivanitskiy, K. A. Nagina |
| |
| No 4 (2024) |
“The life of Mr. de Moliere” in the context of the development of the theme “artist and power” in the novel “The Master and Margarita” by M. Bulgakov |
Abstract
PDF (Rus)
|
|
E. Yu. Kolysheva |
| |
| No 4 (2024) |
The image of the forest and the cultural model of initiation in the novel “Olga, the Forest Princess” by E. Dvoretskaya |
Abstract
PDF (Rus)
|
|
Ya. V. Korolkova |
| |
| No 4 (2024) |
Genre parameters of an intellectual novel (based on V. Nabokov’s novelistics) |
Abstract
PDF (Rus)
|
|
D. O. Kotomtsev |
| |
| No 4 (2024) |
The problem of conceptual modeling of the child growing up in the context of children’s literature |
Abstract
PDF (Rus)
|
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I. A. Kudryashov, Z. R. Agleeva |
| |
| No 3 (2024) |
The image of the people in R. Rugin’s poetry |
Abstract
PDF (Rus)
|
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I. Usanova |
| |
| No 3 (2024) |
“Celtic backlighting” of the traumatic issues in Murdoch’s novel “The good apprentice” |
Abstract
PDF (Rus)
|
|
L. Khabibullina |
| |
| No 3 (2024) |
Genre originality of the novel-novella “Tima, yashasen!” (“Leave him alone, let him live!”) by Marcel Galiev |
Abstract
PDF (Rus)
|
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M. Khabutdinova, A. Motigullina |
| |
| No 3 (2024) |
Translations for children by Robert Minnullin: creative interpretation and ethno-cultural adaptation |
Abstract
PDF (Rus)
|
|
L. Mingazova, B. Orazova, G. Kayumova |
| |
| No 3 (2024) |
Ornithological images in the novel “Finches in armor” by Georgy Venus |
Abstract
PDF (Rus)
|
|
T. Pirogova |
| |
| No 3 (2024) |
Tatar folklore collected by turkologist V. Radlov: experience of translation into the Russian language |
Abstract
PDF (Rus)
|
|
F. Sayfulina, I. Nasipov |
| |
| No 3 (2024) |
Portrait code in Anton Chekhov’s short story “The lady with the dog” |
Abstract
PDF (Rus)
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|
A. Salakhova |
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