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| Issue |
Title |
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| No 2 (2025) |
Composition as a means of creating a documentary element in the novel “Finches in Armor” by G. Venus |
Abstract
PDF (Rus)
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T. O. Pirogova |
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| No 2 (2025) |
Features of impressionism in V. M. Garshin’s prose |
Abstract
PDF (Rus)
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K. K. Sizova |
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| No 2 (2025) |
The historical component in A. Thorpe’s novel “The Rules of Perspective” |
Abstract
PDF (Rus)
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L. F. Khabibullina |
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| No 2 (2025) |
“Speak, Memory” and “Look at the Harlequins!”: Fictional, non-fictional and burlesque discourse in Vladimir Nabokov’s memoir novels |
Abstract
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T. N. Belova |
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| No 2 (2025) |
War diaries of Tatar writers: The path to the reader through censorship |
Abstract
PDF (Rus)
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A. Yu. Khabutdinov, M. M. Khabutdinova |
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| No 2 (2025) |
Conceptualization of historical narrative in modern Russian prose |
Abstract
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T. N. Breeva |
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| No 2 (2025) |
Main stages of Russian classical literature translations into the Turkish language |
Abstract
PDF (Rus)
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Sheima Kara, I. Sh. Yunusov |
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| No 2 (2025) |
Performative potential of social theatre: The latest Russian dramaturgy on the problems of inclusion |
Abstract
PDF (Rus)
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O. V. Zhurcheva |
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| No 2 (2025) |
Traditions of “the Kailyard school” in Rosamunde Pilcher’s novels |
Abstract
PDF (Rus)
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Z. R. Zinnatullina |
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| No 2 (2025) |
“Notes (1881 – 1916)” by B. A. Sadovsky as an ego-document |
Abstract
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N. N. Kislova |
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| No 2 (2025) |
Integration of nonfiction elements into fiction: Analyzing postcolonial and industrial motifs in Rebecca F. Kuang’s novel “Yellowface” |
Abstract
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K. V. Korobko |
| |
| No 2 (2025) |
The ideas of democracy in E. M. Forster’s journalism (based on “Two Cheers for Democracy”) |
Abstract
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R. S. Lazutin |
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| No 2 (2025) |
Arkady Konchevsky’s Crimean short stories |
Abstract
PDF (Rus)
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A. E. Lobkov |
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| No 2 (2025) |
Deconstruction of the historical/historiosophical novel genre strategies in the work of Vladimir Sharov |
Abstract
PDF (Rus)
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Z. E. Miftakhova |
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| No 2 (2025) |
Children learning about Leo Tolstoy: Narrative strategies |
Abstract
PDF (Rus)
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L. Kh. Nasrutdinova, N. G. Makhinina |
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| No 2 (2025) |
The mafia image in American literary nonfiction of the second half of the 20th and the beginning of the 21st centuries |
Abstract
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O. O. Nesmelova, Zh. G. Konovalova |
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| No 2 (2025) |
Synthesis of documentary and fictional principles in Russian Enlightenment Realism |
Abstract
PDF (Rus)
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A. N. Pashkurov |
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| No 2 (2025) |
Kazan in Aleksey Tolstoy’s biography and works: Between fact and fiction |
Abstract
PDF (Rus)
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M. A. Perepelkin |
| |
| No 1 (2025) |
Igor Melamed’s poetic principle of indirect expression |
Abstract
PDF (Rus)
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R. B. Berestnev, A. E. Skvortsov |
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| No 1 (2025) |
The image of Beijing in travelogues of Russian literature in the 1920s: A gender aspect. |
Abstract
PDF (Rus)
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X. Zhu |
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| No 1 (2025) |
Semantic inversion of biblical mythologemes in Leonid Andreev’s novel “The Diary of Satan” |
Abstract
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E. A. Rad' |
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| No 1 (2025) |
“Thirty years of confusion”: the correspondence between Stephen Mckenna and Stephen Mckenna on the occasion of his visit to Leo Tolstoy |
Abstract
PDF (Rus)
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M. F. Astashenkova |
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| No 1 (2025) |
Pushkin’s trace in the myth of Joseph Brodsky |
Abstract
PDF (Rus)
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I. A. Balandina |
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| No 4 (2024) |
Index retardation as the basis of an epic play (a case study of A. Ostrovsky’s dramaturgy) |
Abstract
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A. I. Lebedeva |
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| No 4 (2024) |
The winter path and the winter dream by Pushkin and Leo Tolstoy |
Abstract
PDF (Rus)
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A. I. Ivanitskiy, K. A. Nagina |
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| No 4 (2024) |
“The life of Mr. de Moliere” in the context of the development of the theme “artist and power” in the novel “The Master and Margarita” by M. Bulgakov |
Abstract
PDF (Rus)
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E. Yu. Kolysheva |
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| No 4 (2024) |
The image of the forest and the cultural model of initiation in the novel “Olga, the Forest Princess” by E. Dvoretskaya |
Abstract
PDF (Rus)
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Ya. V. Korolkova |
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| No 4 (2024) |
Genre parameters of an intellectual novel (based on V. Nabokov’s novelistics) |
Abstract
PDF (Rus)
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D. O. Kotomtsev |
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| No 4 (2024) |
The problem of conceptual modeling of the child growing up in the context of children’s literature |
Abstract
PDF (Rus)
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I. A. Kudryashov, Z. R. Agleeva |
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| No 4 (2024) |
Horror motifs in E. Verkin’s novel “Snark Snark” |
Abstract
PDF (Rus)
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D. L. Kulikova |
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| No 4 (2024) |
Formation of national cultural myths about Europe in “Letters of a Russian Traveler” by N. Karamzin |
Abstract
PDF (Rus)
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E. E. Prikazchikova |
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| No 4 (2024) |
Bastien Loukia’s “Crime and Punishment” as an example of a graphic novel adaptation |
Abstract
PDF (Rus)
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I. G. Prudius |
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| No 4 (2024) |
Russian ideas. Discursive organisation of Vladimir Sharov’s novel “Return to Egypt” |
Abstract
PDF (Rus)
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M. P. Abasheva, O. A. Kiose |
| |
| No 4 (2024) |
Method of “detachment” in Leo Tolstoy’s trilogy “Detstvo”, “Otrochestvo”, “Yunost” |
Abstract
PDF (Rus)
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A. M. Sayapova |
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| No 4 (2024) |
Ekphrasis as a stylistic means of creating an image in biography (based on the biographies of Georgiana, Duchess of Devonshire) |
Abstract
PDF (Rus)
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K. F. Ayupova |
| |
| No 4 (2024) |
Reception of Henry James’s novel “The Wings of the Dove” in a foreign-language environment |
Abstract
PDF (Rus)
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T. L. Selitrina |
| |
| No 4 (2024) |
Memoirs of a researcher as a literary fact (based on V. Ivanov’s memoirs about the East) |
Abstract
PDF (Rus)
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R. F. Bekmetov |
| |
| No 4 (2024) |
I.A. Mukhamatgaliev’s contribution to the development of modern Tatar children’s drama |
Abstract
PDF (Rus)
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M. M. Khabutdinova, R. S. Nurmukhametova, R. I. Latypov |
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| No 4 (2024) |
Authorial communicative strategy in female English-language literary nonfiction discourse |
Abstract
PDF (Rus)
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A. H. Vafina, Zh. G. Konovalova |
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| No 4 (2024) |
Pronounal metamorphoses in “The Man Who Would Be King” by R.J. Dio |
Abstract
PDF (Rus)
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A. L. Khokhryakov |
| |
| No 4 (2024) |
Mythopoetic chronotope of Rudolfo Anaya’s short novel “The Village the Gods Painted Yellow” in the paradigm of magical realism |
Abstract
PDF (Rus)
|
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T. V. Voronchenko, E. V. Fyodorova, Yu. M. Kruglova |
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| No 4 (2024) |
The role of translation in the study of Confucianism: Works of scholars from the institute of China and modern Asia of the Russian Academy of Sciences |
Abstract
PDF (Rus)
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W. Chang, T. G. Bochina |
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| No 4 (2024) |
Text and intertext in Shakespeare plays by Don Nigro |
Abstract
PDF (Rus)
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M. Galimova |
| |
| No 4 (2024) |
Representation of the human body in Gabdulla Tukay’s poetry |
Abstract
PDF (Rus)
|
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T. Sh. Gilazov |
| |
| No 4 (2024) |
Language play in British animalistics in the second half of the 20th century |
Abstract
PDF (Rus)
|
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E. V. Zueva |
| |
| No 3 (2024) |
Ornithological images in the novel “Finches in armor” by Georgy Venus |
Abstract
PDF (Rus)
|
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T. Pirogova |
| |
| No 3 (2024) |
Tatar folklore collected by turkologist V. Radlov: experience of translation into the Russian language |
Abstract
PDF (Rus)
|
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F. Sayfulina, I. Nasipov |
| |
| No 3 (2024) |
Portrait code in Anton Chekhov’s short story “The lady with the dog” |
Abstract
PDF (Rus)
|
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A. Salakhova |
| |
| No 3 (2024) |
National, mass and general human features in A. Ganieva’s novel “Bride and groom” |
Abstract
PDF (Rus)
|
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E. Serebryakova |
| |
| No 3 (2024) |
When the post-colonial transforms into the national (“The narrow road to the deep north” by R. Flanagan) |
Abstract
PDF (Rus)
|
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O. Sidorova |
| |
| No 3 (2024) |
The image of the people in R. Rugin’s poetry |
Abstract
PDF (Rus)
|
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I. Usanova |
| |
| No 3 (2024) |
“Celtic backlighting” of the traumatic issues in Murdoch’s novel “The good apprentice” |
Abstract
PDF (Rus)
|
|
L. Khabibullina |
| |
| No 3 (2024) |
Genre originality of the novel-novella “Tima, yashasen!” (“Leave him alone, let him live!”) by Marcel Galiev |
Abstract
PDF (Rus)
|
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M. Khabutdinova, A. Motigullina |
| |
| No 3 (2024) |
Translations for children by Robert Minnullin: creative interpretation and ethno-cultural adaptation |
Abstract
PDF (Rus)
|
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L. Mingazova, B. Orazova, G. Kayumova |
| |
| No 3 (2024) |
Comprehension of national cultural myths in Vadim Levanov’s works |
Abstract
PDF (Rus)
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O. Zhurcheva, T. Zhurcheva |
| |
| No 3 (2024) |
The locus of the house in the novel “There lived an old man and his wife” by E. Katishonok |
Abstract
PDF (Rus)
|
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R. Tianyi, E. Nagumanova |
| |
| No 3 (2024) |
National code of Russian literature in the second half of the 20th – early 21st centuries (features of embodiment) |
Abstract
PDF (Rus)
|
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I. Ivanova, S. Fedyay, O. Evdokimova |
| |
| No 3 (2024) |
Dialogue form in the structure of Nima Yushij’s poem “Maneli” (1947) |
Abstract
PDF (Rus)
|
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A. Kuznetsov |
| |
| No 3 (2024) |
Philosophical understanding of Russian cultural and historical myths in K. Sluchevsky’s cycle “Ballads, fantasies and tales” |
Abstract
PDF (Rus)
|
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N. Vorozhtsova |
| |
| No 3 (2024) |
Traditions of classical literature in the work of modern Russian and Tatar writers from the Republic of Tatarstan |
Abstract
PDF (Rus)
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A. Galimullina, G. Gainullina |
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| No 3 (2024) |
Anti-colonial discourse in Mo Yang’s novel “Death smells of sandalwood” |
Abstract
PDF (Rus)
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E. Gruzdeva |
| |
| No 3 (2024) |
The problem of post-memory in Elena Chizhova’s novel “The city written from memory” |
Abstract
PDF (Rus)
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T. Breeva |
| |
| No 3 (2024) |
The problem of national self-identification of the characters from American alternate historical prose |
Abstract
PDF (Rus)
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I. Briantseva |
| |
| No 3 (2024) |
Typology of images in Vladislav Krapivin’s cycle “Fairy tales and true stories of deserted spaces” |
Abstract
PDF (Rus)
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G. Wang, T. Breeva |
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| No 3 (2024) |
The narrative mode in the novel “Jerusalem the golden” by Margaret Drabble |
Abstract
PDF (Rus)
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A. Vafina |
| |
| No 3 (2024) |
American exceptionalism and godforsakenness in Hubert Selby jr.’s novels |
Abstract
PDF (Rus)
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K. Vikhrova |
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| No 3 (2024) |
From “an Englishman” to “a Briton”: the image of a gentleman in English literature of the 19th – 21st centuries (C. Dickens, Th. Hardy, A. C. Doyle, Y. Fleming, C. Ishiguro) |
Abstract
PDF (Rus)
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F. Abilova |
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| No 3 (2024) |
Omar Khayyam in Russian literary interpretation (Vardvan Varzhapetyan’s novel “The smell of a wild rose”) |
Abstract
PDF (Rus)
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R. Bekmetov |
| |
| No 3 (2024) |
The Buddha in Muslims’ worldview: the essay-article “The Buddha” by Leo Tolstoy in Tatar and Persian translations |
Abstract
PDF (Rus)
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R. Bekmetov, M.J. Peikani |
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| No 2 (2024) |
To end the eternal Wednesday afternoon: The search for the foundations of human existence in “The Last Gentleman” by Walker Percy |
Abstract
PDF (Rus)
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A. Nikulina |
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| No 2 (2024) |
The myth of Russia in “Dialogues of the Dead” by Mikhail Muraviev |
Abstract
PDF (Rus)
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A. Pashkurov |
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| No 2 (2024) |
The national text of Hannah Cowley’s drama “A Day in Turkey; or the Russian slaves” |
Abstract
PDF (Rus)
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O. Polyakov |
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| No 2 (2024) |
National peculiarities of a traumatic experience in H. Mantel’s novel “A Change of Climate” |
Abstract
PDF (Rus)
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N. Romanova |
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| No 2 (2024) |
History and myth in Leonid Yuzefovich’s novel “Philhelle” |
Abstract
PDF (Rus)
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A. Salakhova |
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| No 2 (2024) |
National cultural and religious mythologems in the ethnic image creation in Russian literature of the 19th century |
Abstract
PDF (Rus)
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L. Sarbash |
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| No 2 (2024) |
Sergei Aksakov in England (on the problem of national identity) |
Abstract
PDF (Rus)
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T. Selitrina |
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| No 2 (2024) |
The myth of the angel in A. Polezhaev’s poetry |
Abstract
PDF (Rus)
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A. Sesorova |
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| No 2 (2024) |
The cultural hero archetype in E. Aipin’s story “Waiting for the First Snow” |
Abstract
PDF (Rus)
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D. Terentyeva |
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| No 2 (2024) |
The image of Yemelyan Pugachev in Tatar historical folklore |
Abstract
PDF (Rus)
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I. Fazlutdinov |
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| No 2 (2024) |
National and psychological aspects of the corporeality in the novella “On Chesil Beach” by I. McEwan |
Abstract
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R. Faizullina |
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| No 2 (2024) |
The other in the novel “Monkey Boy” by Francisco Goldman |
Abstract
PDF (Rus)
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T. Khatskevich |
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| No 2 (2024) |
The national myth in S. Clarke’s novel “Jonathan Strange & Mr Norrell” |
Abstract
PDF (Rus)
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D. Chugunov |
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| No 2 (2024) |
The book as a genre phenomenon in modern prose of the Russian abroad (“Venice. Quarantine Chronicles” by E. Margolis) |
Abstract
PDF (Rus)
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N. Shlemova, E. Ponomareva |
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| No 2 (2024) |
The problem of identification in Ch. N. Adichie’s “Half of a Yellow Sun” |
Abstract
PDF (Rus)
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I. Shchepacheva |
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| No 2 (2024) |
Forgotten names: Kashshaf Patii |
Abstract
PDF (Rus)
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N. Yusupova |
| |
| No 2 (2024) |
“Mental map” in “Letters of a Russian Traveler” by Nikolay Karamzin and the problem of the national myth representation |
Abstract
PDF (Rus)
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T. Alpatova |
| |
| No 2 (2024) |
Hybrid identity and the image of the native land in Kazakhstan Russian language poetry |
Abstract
PDF (Rus)
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N. Barkovskaya |
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| No 2 (2024) |
Central Asia in Russian descriptions of the 18th century: On an anonymous note from the non-church calendar of the Enlightenment Era |
Abstract
PDF (Rus)
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R. Bekmetov, N. Sabirov |
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| No 2 (2024) |
The system of images in Romanian-Moldovan folklore (based on the fairy tales by M. Eminescu and I. Creangă) |
Abstract
PDF (Rus)
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A. Burchanova |
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| No 2 (2024) |
Conceptosphere of the basic concept “winter” in Yu. Shestalov’s lyrical poetry |
Abstract
PDF (Rus)
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V. Gavrilov |
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| No 2 (2024) |
Myth-making as sensemaking in modern literary criticism |
Abstract
PDF (Rus)
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Yu. Govorukhina |
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| No 2 (2024) |
Representation strategies of the “internal” Other image in the early 21st century British literature |
Abstract
PDF (Rus)
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Z. Zinnatullina, L. Khabibullina |
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| No 2 (2024) |
The сoncept of the national culture in German romanticism: Sourсes and historical background |
Abstract
PDF (Rus)
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A. Ivanitskiy |
| |
| No 2 (2024) |
V. Nabokov about his status of “an American writer” (based on interviews of the 1950s- 1970s) |
Abstract
PDF (Rus)
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K. Kasymova |
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| No 2 (2024) |
Eschatological myth in the novel works by E. Aipin |
Abstract
PDF (Rus)
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D. Larkovich |
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| No 2 (2024) |
Good English boys. Constructing the gender and the national in British ghost stories |
Abstract
PDF (Rus)
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A. Lipinskaya |
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| No 2 (2024) |
Derzhavin’s authorial myth |
Abstract
PDF (Rus)
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A. Maslova |
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| No 2 (2024) |
Mythologization of the father’s image in American literary nonfiction of the 1990s |
Abstract
PDF (Rus)
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O. Nesmelova, Zh. Konovalova |
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